The composition uses two modules of tennis ball offcut to create a pseudo-pixel art effect. The larger offcuts define the space, while the smaller, high-density offcuts define the silhouettes and branding elements. To capture both dynamism and triumph, the piece portrays Hewett and Draper in motion, flanking Raducanu in a moment of victory.
Each ball was cut on the studio’s industrial press in Northampton, England, which was designed specifically for processing used tennis balls. The offcuts were then placed in sequence into machined and hand-finished panels. Leveraging the inherent properties of the tennis ball felt and rubber, the offcuts were affixed with no glue required.